Part of its long history in Central Highlands culture are rice paintings. The best place to witness these paintings is at Ho Village, located at Bac Kan Street, Kon Tum City. The village offers visitors a visual feast in art works.
The paintings vary from calligraphic, the daily activities of the local people to cultural features of ethnic groups and their traditional housing near Dak Bla River and big forests.
Painter Nguyen Kieu Dang, who founded the Ho Village rice painting gallery, said that behind every painting was the happiness of the makers.
Each painting holds a different spiritual value. To be able to present that value to viewers is the true bliss of artists,” said Dang. “To me, giving soul to a painting is the hardest thing, since only truthful and vivid sketches create a good painting. The success of the artwork is also decided based on how the colour of the rice fits into the painting.”
“The key here is choosing the rice and roasting it into different colour tones. Depending on the roasting time, the colour will turn from white to a darker tone, and finally to black. Roasting the rice is also the toughest part, as we are not allowed to let it burst open, break down or burn. Hands must be steady while roasting so the colour is fresh,” she said.
The rice is then divided into small boxes and placed around the sketched painting. The artist then overlays the sketch with roasted rice, while picturing the light and dark area to be filled. The finishing touch is covering the work with polyurethane, which allows the colour to remain intact.
A completed rice painting must be a perfect combination of the colours and sizes of the rice. The artist has to master the trick of putting the rice into the right position, either straight, down or crosswise.
Visitors to the gallery can observe 10 young people meticulously overlaying the rice on paintings by Dang. Besides painting, she also gives lectures to the poor and disabled young people to help create a livelihood for them.
Nguyen Thi Thanh Thao, who has been working at the gallery for three years under the guardianship of Dang, now creates rice paintings on her own, featuring local cultural highlights.
“I can now complete an entire rice painting on my own,” said Thao.
At present, Dang is implementing a craft village tourism project at Kon Ktu Village. Her plan is to open one more rice-painting gallery at the village, so tourists can admire the artworks made by Dang and experience or create their own rice paintings.
According to Dang, the gallery at Kon Ktu will be completed at the end of the year and will be open for Tet (Lunar New Year).